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On several tracks, Lamar has simply left unrelated snippets of songs, or unorthodox changes during songs, or even the occasional impromptu shout to various production members (like at the end of “untitled 02” when he asks who’s doing the drums). Perhaps the most interesting part about this album is the access we get to Lamar’s creative process. Lamar is more thoughtful, and, as a result, more effective. West, while occasionally admitting to troubles that plague him, is far too concerned with himself and how great he is - not to mention his continual and unnecessary crude and misogynistic lyrics. While both offer introspective looks into their psyches, Kendrick is much more concerned with the world, and how he can make it a better place. He is content to remain where he is in the game - even his second best work is still better and more self-aware than Kanye West’s “The Life of Pablo.” In fact, compared to the tumultuous and ever-changing rollout of “The Life of Pablo,” “untitled unmastered.” could be considered the complete and superior contrast. Lamar is giving us a gift with the release of “untitled unmastered.,” allowing us to appreciate him even more as an artist and as a man. Instead, it is a confident statement from an artist at the peak of his craft. However, “untitled unmastered.” is not meant to delve into new thematic content. On the first track, he raps, “I made To Pimp a Butterfly for you/Told me to use my vocals to save mankind for you/ Say I didn’t try for you, say I didn’t ride for you/I tithed for you, I pushed the club to the side for you/Who love you like I love you?” This introspection in the face of his outward achievements is impressive and expressive, but it carries over the themes from “To Pimp a Butterfly,” rather than offering something new. In “untitled unmastered.” Lamar expresses self-doubt about his mission, while acknowledging the success of his previous album. The central themes that Lamar explores in “To Pimp a Butterfly” are rehashed in this new album - racism, depression, materialism and his inner struggle with his role as a spokesman and representative for and of black culture and life. On March 4, several months after the release of “To Pimp a Butterfly” and after the urging of NBA superstar LeBron James, Kendrick released these eight unfinished demos as “untitled unmastered”.
These were songs that didn’t make the cut for various reasons - from deadline to content or thematic issues. While working on “To Pimp a Butterfly,” Lamar had some leftover demos. The story behind “untitled unmastered.” is simple, just like the album’s release. He advances the psychological and politically charged themes from his previous album, “To Pimp a Butterfly,” while also creating songs that could conceivably become radio hits (particularly tracks two, five and eight.) His most recent album, “untitled unmastered.,” was released on March 4, and while imperfect and incomplete, it is still a characteristically strong effort.
The song he's jokingly creating on the back end of "untitled 07" shows up earlieras "untitled 04," and its refrain is "head is the answer/head is the future"-which may or may not be a multiple-entendreabout life and spirituality.Even when he releases what seems like second-rate songs, Kendrick Lamar remains on the top of the rap game. The compilation album received widespread acclaim from critics, and it debuted atop the US Billboard 200.
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It consists of previously unreleased demos that originated during the recording of Lamar's album To Pimp a Butterfly (2015), continuing that work's exploration of politically-charged and philosophical themes, as well as its experimentation with free jazz, soul, avant-garde music, and funk styles. It was released on March 4, 2016, by Top Dawg Entertainment, Aftermath Entertainment and Interscope Records. Untitled Unmastered (stylized as untitled unmastered.) is a compilation album by American rapper Kendrick Lamar. He's crying for his bosses-both Top Dawg and God-while lamenting urban addiction and dysfunction, and contemplating mortality.
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His vocal tics and morphs have long been technologically-aided affairs, but on "untitled 02" he's full of elastic long tails-partially gleeful Lil Wayne, wholly sanctifying choir sinner. One of the most enchanting things about this project is hearing how Kendrick manipulates his own voice before the studio modulations kick in.